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	<title>Comments for Iconia</title>
	<link>http://iconia.canonist.com</link>
	<description>Wherever faith meets art.</description>
	<pubDate>Fri, 25 Jul 2008 20:55:08 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.0.5</generator>

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		<title>Comment on &#8220;First Ever&#8221; Jewish Swimsuit Calendar by Menachem Wecker</title>
		<link>http://iconia.canonist.com/2008/07/22/first-ever-jewish-swimsuit-calendar/#comment-34269</link>
		<pubDate>Wed, 23 Jul 2008 14:53:45 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/07/22/first-ever-jewish-swimsuit-calendar/#comment-34269</guid>
					<description>HAHA. Somehow I do not think they will be inviting me...</description>
		<content:encoded><![CDATA[<p>HAHA. Somehow I do not think they will be inviting me&#8230;
</p>
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		<title>Comment on &#8220;First Ever&#8221; Jewish Swimsuit Calendar by Jesse</title>
		<link>http://iconia.canonist.com/2008/07/22/first-ever-jewish-swimsuit-calendar/#comment-34260</link>
		<pubDate>Wed, 23 Jul 2008 13:56:27 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/07/22/first-ever-jewish-swimsuit-calendar/#comment-34260</guid>
					<description>Will the editor of this fine blog be featured in the Heeb swimsuit edition?</description>
		<content:encoded><![CDATA[<p>Will the editor of this fine blog be featured in the Heeb swimsuit edition?
</p>
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		<title>Comment on A “Modern Entrance” to Jerusalem by Leora</title>
		<link>http://iconia.canonist.com/2008/07/01/a-%e2%80%9cmodern-entrance%e2%80%9d-to-jerusalem/#comment-32271</link>
		<pubDate>Fri, 04 Jul 2008 14:39:44 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/07/01/a-%e2%80%9cmodern-entrance%e2%80%9d-to-jerusalem/#comment-32271</guid>
					<description>We drove under that bridge last night, on our way to the airport (and back to the U.S.).  It is really quite large and strikingly different than its surroundings.  Now that you mention the David's Harp, I can see the analogy.  I wish I could have gotten a photo.  One would probably need a good lens to do it justice, or at least several pics from different angles.

An Israeli in our van said the bridge's construction has been adding to the traffic congestion in the city, but the train is supposed to alleviate inter-city congestion (eventually).</description>
		<content:encoded><![CDATA[<p>We drove under that bridge last night, on our way to the airport (and back to the U.S.).  It is really quite large and strikingly different than its surroundings.  Now that you mention the David&#8217;s Harp, I can see the analogy.  I wish I could have gotten a photo.  One would probably need a good lens to do it justice, or at least several pics from different angles.</p>
<p>An Israeli in our van said the bridge&#8217;s construction has been adding to the traffic congestion in the city, but the train is supposed to alleviate inter-city congestion (eventually).
</p>
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		<title>Comment on Manga Moneychangers, 74 Buddhas in Peshawar by Ruth Abrams</title>
		<link>http://iconia.canonist.com/2008/06/16/manga-moneychangers-74-buddhas-in-peshawar/#comment-31135</link>
		<pubDate>Tue, 17 Jun 2008 10:20:54 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/06/16/manga-moneychangers-74-buddhas-in-peshawar/#comment-31135</guid>
					<description>Thanks for mentioning the story, but more than that, thanks for sending Dani to us.</description>
		<content:encoded><![CDATA[<p>Thanks for mentioning the story, but more than that, thanks for sending Dani to us.
</p>
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		<title>Comment on Catholic Church Seeks Religious Art, But is it Searching the Right Places? by Ed P</title>
		<link>http://iconia.canonist.com/2008/06/08/catholic-church-seeks-religious-art-but-is-it-searching-the-right-places/#comment-30791</link>
		<pubDate>Mon, 09 Jun 2008 13:17:06 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/06/08/catholic-church-seeks-religious-art-but-is-it-searching-the-right-places/#comment-30791</guid>
					<description>I think you are right when you say "But maybe the Vatican should go out on a limb here and pick the faithful and resist the temptation of bringing celebrities in to do believers’ jobs." 

However there is a place in the Vatican line up for artists who produce work which gives a spiritual message without being tied to a specific belief system. This may be a more fruitful area for the Pope to examine.

For a lot of artists, producing their work is an expression of their spiritual side. Some use it as a technique to contact their spiritual nature and in the process produce their work. Often this work is abstract but if you can 'get into' the work you can get a glimpse of the journey the artist undertook while producing the piece.

For me producing art is a method of sharing spiritual insights in a visual form. I don’t consider my work to be of a particular religion or promoting any particular philosophy and I believe it is the same for a lot of other artists.  We produce ‘spiritual art’ because it is our mission in life and what we feel a need to share our vision.

The Vatican has a vast pool of artists to choose from but I’m not sure they will find them if the look to the ‘world-famous’ artists club.

*Ed P</description>
		<content:encoded><![CDATA[<p>I think you are right when you say &#8220;But maybe the Vatican should go out on a limb here and pick the faithful and resist the temptation of bringing celebrities in to do believers’ jobs.&#8221; </p>
<p>However there is a place in the Vatican line up for artists who produce work which gives a spiritual message without being tied to a specific belief system. This may be a more fruitful area for the Pope to examine.</p>
<p>For a lot of artists, producing their work is an expression of their spiritual side. Some use it as a technique to contact their spiritual nature and in the process produce their work. Often this work is abstract but if you can &#8216;get into&#8217; the work you can get a glimpse of the journey the artist undertook while producing the piece.</p>
<p>For me producing art is a method of sharing spiritual insights in a visual form. I don’t consider my work to be of a particular religion or promoting any particular philosophy and I believe it is the same for a lot of other artists.  We produce ‘spiritual art’ because it is our mission in life and what we feel a need to share our vision.</p>
<p>The Vatican has a vast pool of artists to choose from but I’m not sure they will find them if the look to the ‘world-famous’ artists club.</p>
<p>*Ed P
</p>
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		<title>Comment on Archie Rand&#8217;s 613 and the Cartoon Egg by Leora</title>
		<link>http://iconia.canonist.com/2008/06/06/archie-rands-613-and-the-cartoon-egg/#comment-30722</link>
		<pubDate>Sun, 08 Jun 2008 16:59:21 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/06/06/archie-rands-613-and-the-cartoon-egg/#comment-30722</guid>
					<description>Oh, my, Menachem.  You read abortion politics into that?  I'm not so sure today's abortion politics is so pro-woman.

I was thinking of more of a p'shat, simple approach.  The egg is yelling:
"Get thee to the mikvah, milady, so you will be at your best for pru 'u revu." (fertilizing the egg)</description>
		<content:encoded><![CDATA[<p>Oh, my, Menachem.  You read abortion politics into that?  I&#8217;m not so sure today&#8217;s abortion politics is so pro-woman.</p>
<p>I was thinking of more of a p&#8217;shat, simple approach.  The egg is yelling:<br />
&#8220;Get thee to the mikvah, milady, so you will be at your best for pru &#8216;u revu.&#8221; (fertilizing the egg)
</p>
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		<title>Comment on Interview: Roseanne Sullivan by millinerd</title>
		<link>http://iconia.canonist.com/2008/05/25/interview-roseanne-sullivan/#comment-30359</link>
		<pubDate>Thu, 29 May 2008 19:47:40 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/05/25/interview-roseanne-sullivan/#comment-30359</guid>
					<description>intriguing interview indeed.</description>
		<content:encoded><![CDATA[<p>intriguing interview indeed.
</p>
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		<title>Comment on Archie Rand&#8217;s 613 Canvases Exhibited in Brooklyn Warehouse by Leora</title>
		<link>http://iconia.canonist.com/2008/05/21/archie-rands-613-canvases-exhibited-in-brooklyn-warehouse/#comment-30007</link>
		<pubDate>Thu, 22 May 2008 11:17:36 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/05/21/archie-rands-613-canvases-exhibited-in-brooklyn-warehouse/#comment-30007</guid>
					<description>&lt;i&gt;A cartoon egg with arms and legs is perched upon a stool and shouting into a woman’s ear to depict the Jewish commandment “Observe the laws of menstrual impurity.”&lt;/i&gt; (I took this off Vos Iz Neias)
I want someone to explain this one to me.

I think I need a commentary to understand this art.</description>
		<content:encoded><![CDATA[<p><i>A cartoon egg with arms and legs is perched upon a stool and shouting into a woman’s ear to depict the Jewish commandment “Observe the laws of menstrual impurity.”</i> (I took this off Vos Iz Neias)<br />
I want someone to explain this one to me.</p>
<p>I think I need a commentary to understand this art.
</p>
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		<title>Comment on Interview: Chuck Pettis, Founder, Earth Sanctuary by Monica Wilson</title>
		<link>http://iconia.canonist.com/2008/05/12/interview-chuck-pettis-founder-earth-sanctuary/#comment-29971</link>
		<pubDate>Wed, 21 May 2008 15:58:44 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/05/12/interview-chuck-pettis-founder-earth-sanctuary/#comment-29971</guid>
					<description>My daughter Ariel and I are Tibetan Buddhists who also practice at Sakya Monastery. As part of a class on Eastern Religions at her high school, she wrote a paper on thangkas which included this introductory paragraph:

Imagine a world in which artists don’t sign their artwork.  A world in which the art is produced as a focus for spiritual contemplation, where the goal of the artist as well as the person viewing the art isn’t simply enjoyment, religious awe, intellectual provocation or any of the other various reasons for creating a work of art, but because the desired goal is enlightenment, “liberation through beholding.” This is the world in which the Tibetan Buddhist thangkas have been created for centuries.

Hopefully, this will help people to better understand art within the framework of the Tibetan Buddhist perspective.</description>
		<content:encoded><![CDATA[<p>My daughter Ariel and I are Tibetan Buddhists who also practice at Sakya Monastery. As part of a class on Eastern Religions at her high school, she wrote a paper on thangkas which included this introductory paragraph:</p>
<p>Imagine a world in which artists don’t sign their artwork.  A world in which the art is produced as a focus for spiritual contemplation, where the goal of the artist as well as the person viewing the art isn’t simply enjoyment, religious awe, intellectual provocation or any of the other various reasons for creating a work of art, but because the desired goal is enlightenment, “liberation through beholding.” This is the world in which the Tibetan Buddhist thangkas have been created for centuries.</p>
<p>Hopefully, this will help people to better understand art within the framework of the Tibetan Buddhist perspective.
</p>
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		<title>Comment on Interview: Hayan Charara, &#8220;&#8216;Arab American,&#8217; for me, is one of many identifications.&#8221; by D. H. MELHEM</title>
		<link>http://iconia.canonist.com/2008/05/09/interview-hayan-charara-arab-american-for-me-is-one-of-many-identifications/#comment-29720</link>
		<pubDate>Thu, 15 May 2008 17:35:59 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/05/09/interview-hayan-charara-arab-american-for-me-is-one-of-many-identifications/#comment-29720</guid>
					<description>Dear Mr. Wecker:

I welcome Hayan Charara’s INCLINED TO SPEAK as a major anthology by a leading poet.  I feel honored to be included in this work.  Developed over many years, it witnesses the judicious and respectful dedication of the compiler.  The collection has breadth as well as depth, reminding us of brilliant poets who may not have received their just due, while it introduces us to promising voices of great talent.  Charara and his publisher should receive our grateful kudos for the quality of the poetry, and for its span of diversity which underlies the “Americanness” of Arab American poets.  

The interview itself is fascinating.  Though meditative and deliberate, Charara is not afraid to think aloud.  He avoids dogmatic pronouncements. Thank you for providing this opportunity to share his useful insights with us.

Sincerely,
D. H. Melhem, Ph.D.
www.dhmelhem.com</description>
		<content:encoded><![CDATA[<p>Dear Mr. Wecker:</p>
<p>I welcome Hayan Charara’s INCLINED TO SPEAK as a major anthology by a leading poet.  I feel honored to be included in this work.  Developed over many years, it witnesses the judicious and respectful dedication of the compiler.  The collection has breadth as well as depth, reminding us of brilliant poets who may not have received their just due, while it introduces us to promising voices of great talent.  Charara and his publisher should receive our grateful kudos for the quality of the poetry, and for its span of diversity which underlies the “Americanness” of Arab American poets.  </p>
<p>The interview itself is fascinating.  Though meditative and deliberate, Charara is not afraid to think aloud.  He avoids dogmatic pronouncements. Thank you for providing this opportunity to share his useful insights with us.</p>
<p>Sincerely,<br />
D. H. Melhem, Ph.D.<br />
<a href="http://www.dhmelhem.com" rel="nofollow">www.dhmelhem.com</a>
</p>
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		<title>Comment on My Interview with Bea Fields on Y-Talk Radio by Jaclyn</title>
		<link>http://iconia.canonist.com/2008/05/12/my-interview-with-bea-fields-on-y-talk-radio/#comment-29560</link>
		<pubDate>Tue, 13 May 2008 14:50:19 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/05/12/my-interview-with-bea-fields-on-y-talk-radio/#comment-29560</guid>
					<description>Great interview! I enjoyed listening and it was interesting to hear you talk about the Gen. Y influence in religion and art.</description>
		<content:encoded><![CDATA[<p>Great interview! I enjoyed listening and it was interesting to hear you talk about the Gen. Y influence in religion and art.
</p>
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		<title>Comment on Interview: Hayan Charara, &#8220;&#8216;Arab American,&#8217; for me, is one of many identifications.&#8221; by Kristen D. Pierce, PhD</title>
		<link>http://iconia.canonist.com/2008/05/09/interview-hayan-charara-arab-american-for-me-is-one-of-many-identifications/#comment-29514</link>
		<pubDate>Mon, 12 May 2008 18:46:08 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/05/09/interview-hayan-charara-arab-american-for-me-is-one-of-many-identifications/#comment-29514</guid>
					<description>May 12, 2008

Dear Mr. Wecker:
Recently, I came across your review in “Arab News” of INCLINED TO SPEAK ED. by Hayan Charara. As both a retired professor from Princeton University and an avid reader of your Iconia blog, I feel that you missed one of the seminal poems, and a poet who was nominated for the Pulitzer Prize in Poetry, Sam Hamod, PhD with “Dying With the Wrong Name.” This landmark poem has been translated into over twenty different languages for what it says about Arab American, Jewish American and all others who lost their names upon arrival at Ellis Island in the early 1900’s. The poem communicates the dramatic affects of loss and identity for the immigrants, their children and grandchildren. “Dying With the Wrong Name” is a classic poem that I taught in many of my graduate seminars in Contemporary American Poetry as it was the first notable work by an Arab-American. Sam Hamod has been a mentor for the poets you honor such as Naomi Shihab Nye, and has received praise from Pablo Neruda and Borges. It is a travesty that he has been overlooked by both you and others in literature when he should be at the forefront of your reviews and anthologies.  

Sincerely,



Kristen D. Pierce, PhD</description>
		<content:encoded><![CDATA[<p>May 12, 2008</p>
<p>Dear Mr. Wecker:<br />
Recently, I came across your review in “Arab News” of INCLINED TO SPEAK ED. by Hayan Charara. As both a retired professor from Princeton University and an avid reader of your Iconia blog, I feel that you missed one of the seminal poems, and a poet who was nominated for the Pulitzer Prize in Poetry, Sam Hamod, PhD with “Dying With the Wrong Name.” This landmark poem has been translated into over twenty different languages for what it says about Arab American, Jewish American and all others who lost their names upon arrival at Ellis Island in the early 1900’s. The poem communicates the dramatic affects of loss and identity for the immigrants, their children and grandchildren. “Dying With the Wrong Name” is a classic poem that I taught in many of my graduate seminars in Contemporary American Poetry as it was the first notable work by an Arab-American. Sam Hamod has been a mentor for the poets you honor such as Naomi Shihab Nye, and has received praise from Pablo Neruda and Borges. It is a travesty that he has been overlooked by both you and others in literature when he should be at the forefront of your reviews and anthologies.  </p>
<p>Sincerely,</p>
<p>Kristen D. Pierce, PhD
</p>
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		<title>Comment on 7 Berlin Artists Insist Their Lice is Art by Leora</title>
		<link>http://iconia.canonist.com/2008/05/02/7-berlin-artists-insist-their-lice-is-art/#comment-28704</link>
		<pubDate>Sun, 04 May 2008 12:12:08 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/05/02/7-berlin-artists-insist-their-lice-is-art/#comment-28704</guid>
					<description>This bugs me.  Maybe this is a social statement that will make you itch I mean scratch your head in thought, but art?</description>
		<content:encoded><![CDATA[<p>This bugs me.  Maybe this is a social statement that will make you itch I mean scratch your head in thought, but art?
</p>
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		<title>Comment on LOC Posts Hitler Album, Berlin Bunker Gallery by Matt Raymond</title>
		<link>http://iconia.canonist.com/2008/04/18/loc-posts-hitler-album/#comment-27474</link>
		<pubDate>Wed, 23 Apr 2008 17:14:32 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/18/loc-posts-hitler-album/#comment-27474</guid>
					<description>That supposedly has been fixed.  There was a setting that had to be made to allow it to be viewed beyond internal Library computers, which we weren't aware of when I first posted about this.</description>
		<content:encoded><![CDATA[<p>That supposedly has been fixed.  There was a setting that had to be made to allow it to be viewed beyond internal Library computers, which we weren&#8217;t aware of when I first posted about this.
</p>
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		<title>Comment on One of my Paintings for a Change&#8230; by Leora</title>
		<link>http://iconia.canonist.com/2008/04/18/one-of-my-paintings-for-a-change/#comment-27315</link>
		<pubDate>Tue, 22 Apr 2008 04:12:16 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/18/one-of-my-paintings-for-a-change/#comment-27315</guid>
					<description>Thanks for sharing.  The vibrancy, the primary colors and line work are all unexpected.  Very different from 'standard' interpretations of Jerusalem.  The background  looks like trees, branches?  Creates an energy.  Even your signature adds interest.</description>
		<content:encoded><![CDATA[<p>Thanks for sharing.  The vibrancy, the primary colors and line work are all unexpected.  Very different from &#8217;standard&#8217; interpretations of Jerusalem.  The background  looks like trees, branches?  Creates an energy.  Even your signature adds interest.
</p>
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		<title>Comment on Catherine McClung: &#8220;I pray before I paint that His hand would be with mine&#8221; by matt</title>
		<link>http://iconia.canonist.com/2008/04/17/catherine-mcclung-i-pray-before-i-paint-that-his-hand-would-be-with-mine/#comment-26969</link>
		<pubDate>Fri, 18 Apr 2008 20:11:26 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/17/catherine-mcclung-i-pray-before-i-paint-that-his-hand-would-be-with-mine/#comment-26969</guid>
					<description>hi i enjoyed the read</description>
		<content:encoded><![CDATA[<p>hi i enjoyed the read
</p>
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		<title>Comment on One of my Paintings for a Change&#8230; by The Aesthetic Elevator</title>
		<link>http://iconia.canonist.com/2008/04/18/one-of-my-paintings-for-a-change/#comment-26959</link>
		<pubDate>Fri, 18 Apr 2008 18:16:31 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/18/one-of-my-paintings-for-a-change/#comment-26959</guid>
					<description>Nice movement in the strokes. I'd be interested to see where your style has gone from there . . .</description>
		<content:encoded><![CDATA[<p>Nice movement in the strokes. I&#8217;d be interested to see where your style has gone from there . . .
</p>
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		<title>Comment on A Great Interview with MOCRA&#8217;s Assistant Director by The Aesthetic Elevator</title>
		<link>http://iconia.canonist.com/2008/04/18/a-great-interview-with-mocras-assistant-director/#comment-26940</link>
		<pubDate>Fri, 18 Apr 2008 16:39:33 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/18/a-great-interview-with-mocras-assistant-director/#comment-26940</guid>
					<description>Tried to get to MOCRA a year and half ago while in St. Louis but it was closed, in between shows. Was disappointed; maybe another time . . .</description>
		<content:encoded><![CDATA[<p>Tried to get to MOCRA a year and half ago while in St. Louis but it was closed, in between shows. Was disappointed; maybe another time . . .
</p>
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		<title>Comment on One of my Paintings for a Change&#8230; by Sally</title>
		<link>http://iconia.canonist.com/2008/04/18/one-of-my-paintings-for-a-change/#comment-26935</link>
		<pubDate>Fri, 18 Apr 2008 16:31:48 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/18/one-of-my-paintings-for-a-change/#comment-26935</guid>
					<description>Wow!  That's awesome!  I like it.</description>
		<content:encoded><![CDATA[<p>Wow!  That&#8217;s awesome!  I like it.
</p>
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		<title>Comment on Bangladeshi Shivas Stolen, Questioning Eldridge Street&#8217;s Restoration, What Should We Call Jesus? by Menachem Wecker</title>
		<link>http://iconia.canonist.com/2008/01/06/bangladeshi-shivas-stolen-questioning-eldridge-streets-restoration-what-should-we-call-jesus/#comment-26929</link>
		<pubDate>Fri, 18 Apr 2008 16:05:31 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/01/06/bangladeshi-shivas-stolen-questioning-eldridge-streets-restoration-what-should-we-call-jesus/#comment-26929</guid>
					<description>Profile &lt;a href="http://www.blogger.com/profile/13180810937735162810" rel="nofollow"&gt;here&lt;/a&gt;.</description>
		<content:encoded><![CDATA[<p>Profile <a href="http://www.blogger.com/profile/13180810937735162810" rel="nofollow">here</a>.
</p>
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		<title>Comment on Bangladeshi Shivas Stolen, Questioning Eldridge Street&#8217;s Restoration, What Should We Call Jesus? by arya</title>
		<link>http://iconia.canonist.com/2008/01/06/bangladeshi-shivas-stolen-questioning-eldridge-streets-restoration-what-should-we-call-jesus/#comment-26926</link>
		<pubDate>Fri, 18 Apr 2008 15:55:42 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/01/06/bangladeshi-shivas-stolen-questioning-eldridge-streets-restoration-what-should-we-call-jesus/#comment-26926</guid>
					<description>Who is mooligai sidhan?</description>
		<content:encoded><![CDATA[<p>Who is mooligai sidhan?
</p>
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		<title>Comment on Sarah Tricha: &#8220;In Islamic tradition, only God can create&#8221; by andrea useem</title>
		<link>http://iconia.canonist.com/2008/04/18/sarah-tricha-in-islamic-tradition-only-god-can-create/#comment-26917</link>
		<pubDate>Fri, 18 Apr 2008 14:48:39 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/18/sarah-tricha-in-islamic-tradition-only-god-can-create/#comment-26917</guid>
					<description>Great questions.. i'd love to hear more about the issue of non-representation in Islamic (and Jewish) art.</description>
		<content:encoded><![CDATA[<p>Great questions.. i&#8217;d love to hear more about the issue of non-representation in Islamic (and Jewish) art.
</p>
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		<title>Comment on &#8220;The biggest restriction isn’t really from Judaism itself but from the Orthodox Jewish community.&#8221; by Leora</title>
		<link>http://iconia.canonist.com/2008/04/15/the-biggest-restriction-isn%e2%80%99t-really-from-judaism-itself-but-from-the-orthodox-jewish-community/#comment-26794</link>
		<pubDate>Thu, 17 Apr 2008 13:53:28 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/15/the-biggest-restriction-isn%e2%80%99t-really-from-judaism-itself-but-from-the-orthodox-jewish-community/#comment-26794</guid>
					<description>Dear Jill, Gail, Lori and Jack,

You guys are great!  Thanks.</description>
		<content:encoded><![CDATA[<p>Dear Jill, Gail, Lori and Jack,</p>
<p>You guys are great!  Thanks.
</p>
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		<title>Comment on Catherine McClung: &#8220;I pray before I paint that His hand would be with mine&#8221; by Leora</title>
		<link>http://iconia.canonist.com/2008/04/17/catherine-mcclung-i-pray-before-i-paint-that-his-hand-would-be-with-mine/#comment-26793</link>
		<pubDate>Thu, 17 Apr 2008 13:51:52 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/17/catherine-mcclung-i-pray-before-i-paint-that-his-hand-would-be-with-mine/#comment-26793</guid>
					<description>Interesting, to read someone else's answers to your questions!  Like myself, Catherine is also drawn into nature.  But her Christian faith is strikingly different from my own struggles with Judaism.  I am also glad I do not depend on art for an income, though at the same time, part of me wishes I had my website (and my art) set up like hers so one could make purchases.  I may never get there (psychological block of some kind).

Catherine, pleased to meet you on Menachem's blog.</description>
		<content:encoded><![CDATA[<p>Interesting, to read someone else&#8217;s answers to your questions!  Like myself, Catherine is also drawn into nature.  But her Christian faith is strikingly different from my own struggles with Judaism.  I am also glad I do not depend on art for an income, though at the same time, part of me wishes I had my website (and my art) set up like hers so one could make purchases.  I may never get there (psychological block of some kind).</p>
<p>Catherine, pleased to meet you on Menachem&#8217;s blog.
</p>
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		<title>Comment on Lahore&#8217;s Basant Festival Canceled by usman hassan</title>
		<link>http://iconia.canonist.com/2008/04/14/lahores-basant-festival-canceled/#comment-26778</link>
		<pubDate>Thu, 17 Apr 2008 09:31:07 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/14/lahores-basant-festival-canceled/#comment-26778</guid>
					<description>i guess this is total wrong approach by the government to bann basant festival, government should have stopped the use of chemical and thick threads but to hide their failure they have ban this festival.</description>
		<content:encoded><![CDATA[<p>i guess this is total wrong approach by the government to bann basant festival, government should have stopped the use of chemical and thick threads but to hide their failure they have ban this festival.
</p>
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		<title>Comment on Can Christians Be Idolators? by The Aesthetic Elevator</title>
		<link>http://iconia.canonist.com/2008/04/15/can-christians-be-idolators/#comment-26686</link>
		<pubDate>Wed, 16 Apr 2008 19:12:13 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/15/can-christians-be-idolators/#comment-26686</guid>
					<description>Definitely a different link than I was finding on my own :-p</description>
		<content:encoded><![CDATA[<p>Definitely a different link than I was finding on my own :-p
</p>
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		<title>Comment on &#8220;The biggest restriction isn’t really from Judaism itself but from the Orthodox Jewish community.&#8221; by Jack</title>
		<link>http://iconia.canonist.com/2008/04/15/the-biggest-restriction-isn%e2%80%99t-really-from-judaism-itself-but-from-the-orthodox-jewish-community/#comment-26674</link>
		<pubDate>Wed, 16 Apr 2008 16:35:00 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/15/the-biggest-restriction-isn%e2%80%99t-really-from-judaism-itself-but-from-the-orthodox-jewish-community/#comment-26674</guid>
					<description>I really enjoyed this.</description>
		<content:encoded><![CDATA[<p>I really enjoyed this.
</p>
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		<title>Comment on &#8220;The biggest restriction isn’t really from Judaism itself but from the Orthodox Jewish community.&#8221; by Lori</title>
		<link>http://iconia.canonist.com/2008/04/15/the-biggest-restriction-isn%e2%80%99t-really-from-judaism-itself-but-from-the-orthodox-jewish-community/#comment-26668</link>
		<pubDate>Wed, 16 Apr 2008 15:02:54 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/15/the-biggest-restriction-isn%e2%80%99t-really-from-judaism-itself-but-from-the-orthodox-jewish-community/#comment-26668</guid>
					<description>Leora, 
I connect with you on so many levels. My mother was a painter and loved to garden and enjoyed the beauty in the world around her. You are a very passionate and deeply emotional person and I am glad to have such an interesting friend.

Lori</description>
		<content:encoded><![CDATA[<p>Leora,<br />
I connect with you on so many levels. My mother was a painter and loved to garden and enjoyed the beauty in the world around her. You are a very passionate and deeply emotional person and I am glad to have such an interesting friend.</p>
<p>Lori
</p>
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		<title>Comment on Can Christians Be Idolators? by Menachem Wecker</title>
		<link>http://iconia.canonist.com/2008/04/15/can-christians-be-idolators/#comment-26613</link>
		<pubDate>Tue, 15 Apr 2008 20:05:51 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/15/can-christians-be-idolators/#comment-26613</guid>
					<description>Good point. It is a bit confusing. Here's the &lt;a href="http://www.art4god.com/ncac_07/" rel="nofollow"&gt;link&lt;/a&gt;. Does that help?</description>
		<content:encoded><![CDATA[<p>Good point. It is a bit confusing. Here&#8217;s the <a href="http://www.art4god.com/ncac_07/" rel="nofollow">link</a>. Does that help?
</p>
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		<title>Comment on Can Christians Be Idolators? by The Aesthetic Elevator</title>
		<link>http://iconia.canonist.com/2008/04/15/can-christians-be-idolators/#comment-26609</link>
		<pubDate>Tue, 15 Apr 2008 18:40:02 +0000</pubDate>
		<guid>http://iconia.canonist.com/2008/04/15/can-christians-be-idolators/#comment-26609</guid>
					<description>Bit confused by the National Christian Art Competition's website. The link goes to a page headlined "NCAC 2005 winners," but the article you cite is 2008. Visiting the NCAC site by itself leaves one thinking they haven't updated their website in more than three years . . .</description>
		<content:encoded><![CDATA[<p>Bit confused by the National Christian Art Competition&#8217;s website. The link goes to a page headlined &#8220;NCAC 2005 winners,&#8221; but the article you cite is 2008. Visiting the NCAC site by itself leaves one thinking they haven&#8217;t updated their website in more than three years . . .
</p>
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