Archive for March, 2008

Something to (Maybe) Look Forward To…

March 31st, 2008 by Menachem Wecker

Which One is Under Fire? Rushdie and Baron Cohen

March 31st, 2008 by Menachem Wecker

A play based on Salman Rushdie’s The Satanic Verses has “debuted without incident” at a German theater, reports CBC, but according to another CBC story, Sacha Baron Cohen is not fairing nearly as well as he shoots for “Bruno: Delicious Journeys Through America for the Purpose of Making Heterosexual Males Visibly Uncomfortable in the Presence of a Gay Foreigner in a Mesh T-Shirt.”

Jonathan Jones Worries He Shares Hitler’s Art Taste

March 31st, 2008 by Menachem Wecker

“One of my favourite paintings in the National Gallery was once owned by Hitler - is it wrong to still love it?” wonders the Guardian’s Jonathan Jones of “Cupid Complaining to Venus” by Lucas Cranach the Elder (about 1525).

Artdaily.org has the story about the National Gallery investigating whether the piece has the troubling provenance. According to the release from NG:

The National Gallery now wishes to establish how and when Cranach’s Cupid complaining to Venus came to be in Hitler’s collection. The National Gallery is continuing its investigations to find this out. Any information from the public would be gratefully received.

“When its full story is told it may even end up leaving the gallery and being resold abroad,” Jones concludes, citing Larry David’s Curb Your Enthusiasm episode on Wagner along the way, “so I’ll enjoy it while I can.” See also the Guardian’s coverage here.

Google Trends on Religion and Art

March 31st, 2008 by Menachem Wecker

I plugged a few numbers into Google Trends, where “you can compare the world’s interest in your favorite topics.” Below Christian art is blue, Islamic art is red:

After the jump are Islamic-Jewish and Jewish-Christian. I will try to crunch some more numbers later on… Nothing surprising yet, but it is still interesting to see. Continue reading ‘Google Trends on Religion and Art’

Roundup: Krens on Guggenheim Abu Dhabi & Jewish Donors

March 31st, 2008 by Menachem Wecker

  • [CultureGrrl] CultureGrrl previews Athens’ New Acropolis Museum which displays some objects under the theme “Time for Prayer” and which might show “faithful copies of the missing Parthenon marbles.”
  • [Denver Post] Alvin Ailey, whose signature work is “Revelations,” set to “African-American religious music,” celebrates 50 years. Photo: DP.
  • [Orlando Sentinel] Instead of depicting saints, this artist is perhaps one herself. Lubniela Milev has returned to Orlando’s Women’s Residential and Counseling Center of the Coalition for the Homeless, where she once lived, to teach art to children, but she is also donating money ($1k so far).
  • [SPIEGEL] Thomas Krens on the Guggenheim in Abu Dhabi: “What I have planned in Abu Dhabi is so much bigger than what I’ve done so far. It’ll be the kind of thing we’ve never seen before. The only expression I can think of to describe it is pharaonic.” As Krens describes the theme park he has in mind, he is asked: “But it’s hard to imagine a museum for the sometimes drastic art of the modern age and the present side-by-side with strict Islamic culture, which permits only purely ornamental art.” Krens insists no one has raised censorship, even of the museum’s big Mapplethorpe collection. He adds, “Why should we challenge a local culture? Perhaps to provoke political confrontation? That’s unnecessary. And if an increasingly small portion of our collection is in fact not exhibited, this does not diminish the entire presentation.” And even more interesting:

    SPIEGEL: But doesn’t it irritate your many Jewish donors?

    Krens: What do you think this really is? It’s a cultural bridge. We are setting a clear example. We have a Jewish name. Solomon Guggenheim, the founder of the museum, was a Jew. Frank O. Gehry, our architect, is Jewish. And, of course, we talked with a lot of people, with Israeli politicians and with the Israeli ambassador to the United States.

    What a great interview.

  • Roundup: Occident to Orient, Liturgical Junk

    March 29th, 2008 by Menachem Wecker

  • [Daily Star, Lebanon] Dutch Muslim leaders are urging Muslims worldwide to “not react with attacks on Dutch embassies or tourists” in response to the film Fitna, which is being called anti-Islam. (Below, with French subtitles.)
  • [The Guardian] Laura Cumming, before she had twins, found herself noticing new aspects of Madonna paintings that perhaps only a longing mother could see. “We need images, quite apart from anything else, where we have no words.”
  • (WARNING: Please view image below at your own risk, both for disturbing images, and its controversial portrayal of Islam.)
  • [PewSitter.com] Hugh McNichol writes on the “liturgical carnage,” including the lamentable fact that “Catholic religious articles have found their ways into all sorts of locations that are not associated with their original purposes,” replaced by “junk.”
  • [NY Times] “We’ve had major exhibitions on the influence of Islamic culture on Europe,” writes Holland Cotter. “We’ve had relatively few that trace influence the other way, Occident to Orient.” Hunter College has one.
  • Continue reading ‘Roundup: Occident to Orient, Liturgical Junk’

    Protesting an Anti-Islam Film

    March 28th, 2008 by Menachem Wecker

    “A demonstrator holds a sign during a protest against Dutch politician and anti-Islam film-maker Geert Wilders at Dam square in Amsterdam March 22, 2008. (Ade Johnson/Reuters)”

    In Support of the Prince Alwaleed Center for Muslim-Christian Understanding

    March 27th, 2008 by Menachem Wecker

    CQ Politics staff writer Matt Korade wonders whether the Prince Alwaleed Center for Muslim-Christian Understanding (site) at Georgetown should worry about a “threat to impartial scholarship” or “political grandstanding” due to its donor.

    Korade writes:

    The issue was recently thrust into the public spotlight after Rep. Frank R. Wolf , R-Va., wrote a letter to university President John J. DeGioia on Feb. 14 questioning the center’s use of the donation, which in turn was based on questions raised in an article in The Washington Times.

    …Specifically, I would like to know if the center has produced any analysis critical of the Kingdom of Saudi Arabia, for example, in the fields of human rights, religious freedom, freedom of expression, women’s rights, minority rights, protections of foreign workers, due process, and the rule of law,” the congressman wrote.

    I don’t want to pretend like I have any information on the inner workings of the Center, but I did want to say that I have been in touch several times with faculty members associated with the Center, who have been extremely helpful and knowledgeable. John Esposito very politely replied to an inquiry of mine, though it was not his area of expertise, and Diane Apostolos-Cappadona has been an angel on several occasions so far in replying to interview questions.

    If experts at a Center funded by Saudi money can be so great talking about Jewish art, I don’t see how one could accuse the same folks of being anti-American. Clearly their primary professional goals are honest and scholarly, not political hate-mongering. I hope this whole pseudo-scandal blows over really quickly.

    Roundup: Austrian Culture Minister Wants “Clarity” on Whether Works were Looted by Nazis

    March 27th, 2008 by Menachem Wecker

  • [SF Chronicle] Austria’s culture minister, Claudia Schmied, wants “clarity” about the Leopold Museum’s allegedly looted works.
  • [LifeSiteNews.com] In another Vienna story, Dommuseum, which is attached to a cathedral, is showing Alfred Hrdlicka’s work that “includes depictions of explicit homosexual sex acts in ‘religious’ themed art.”
  • [Jewish News Weekly, N. Calif.] The Arthur Szyk Haggadah (see image) is now available for purchase. Info here.
  • [Shanghai Daily] Thirty Tibetan thangkas are on exhibit at the Shanghai High Noon Art and Culture Center in Pudong. Can anyone shed some light on why there doesn’t seem to be any web presence for this place?
  • D.C.’s “Largest Israeli Art Show”

    March 27th, 2008 by Menachem Wecker

    My article “‘’Personal Landscapes’ Exhibit showcases emerging Israeli artists” about the soon-to-open exhibit at the American University Museum’s Katzen Arts Center is in this week’s Washington Jewish Week.

    “Solomonic Judgment In Arthur Miller’s ‘The Price’”

    March 26th, 2008 by Menachem Wecker

    My review of TheaterJ’s production of Arthur Miller’s “The Price” is in The Jewish Press.

    “The Price”
    Dir: Michael Carleton
    Through April 18, 2008
    Theater J, DCJCC
    1529 Sixteenth Street, NW, Washington, DC
    800-494-TIXS

    “Are Dreadlocks the New Peyos?” on The Jewish Channel

    March 20th, 2008 by Menachem Wecker

    Rebecca Honig Friedman writes on TJC on similarities between Jews and Rastafarians:

    The documentary Awake Zion explores the Jewish-Rastafarian connection in depth, but we wanted to know more. So we had the film’s director, Monica Haim, take us down to the world-famous, reggae record store Jammyland, where she shared her inspiration for the film and showed us what this shared tradition is all about.

    The piece is great. It seems to me the record album art could be further studied. Some of them are simply stunning.

    Bin Laden Threatens Europe over Cartoons

    March 20th, 2008 by Menachem Wecker

    [CNS, AP, Al Jazeera, NY Times, Washington Post, Reuters, BBC, WGY, Sydney MH, VOA, FOX, Sky News]

    In an apparently recent 5-minute video, a voice said to belong to Osama Bin Laden has called the Mohammed cartoons a “greater and more serious tragedy” than Western forces killing Arab women, “reckoning for it will be more severe.” The video also attacked the Pope for his “new crusade” against Muslims and referred to President Bush as “oppressive” and King Abdullah as “the crownless king in Riyadh.”

    The video added:

    The laws of men which clash with the legislations of Allah the Most High are null and void, aren’t sacred, and don’t matter to us … if there is no check on the freedom of your words, then let your hearts be open to the freedom of our actions.

    The AP story does a great job of unpacking what can be said about when the video was recorded and whether it is really Bin Laden. AJ provides a good focus on King Abdullah and the cartoons. Michael Kimmelman’s piece in the Times doesn’t focus on this Bin Laden tape, but addresses radical drawings a bit more generally. Reuters carries the most quotes from the film.

    “Jews debate anti-gentile prayers”

    March 19th, 2008 by Menachem Wecker

    My article on censorship of prayers is in National Catholic Reporter. See also a link to it on DMN Religion Blog. I quoted a post on the blog by Jeffrey Weiss in the article.

    Should Buddha Sell This Well?

    March 18th, 2008 by Menachem Wecker

    CBC has the story on a pretty costly wooden, seated Buddha, which set a record for most expensive piece of Japanese art. The piece is by Unkei, “considered one of the best carvers of the early Kamakura period in the 1190s.”

    The pre-auction estimate was $1.5-2 million, so the piece has certainly exceeded expectations. But am I crazy to find it a bit strange that Buddha, who is said to have been quite critical of materialism, is selling so well?

    India Blocks Jonathan Meese Sculpture

    March 18th, 2008 by Menachem Wecker

    Here is an item from artforum which I’m posting in full, because it makes no sense to me:

    INDIA REFUSES MEESE SCULPTURE

    A sculpture by Jonathan Meese has been turned away at the Indian border. As the Frankfurter Allgemeine Zeitung’s Swantje Karich reports, Indian customs officials at Mumbai airport took a “drastic” approach to Meese’s bronze sculpture Don’t Call Us, We’ll Call You, 2007, which was en route to the gallery Mirchandani + Steinruecke for inclusion in the exhibition “General Sweetie.” According to Karich, the dealers attempted to persuade the airport customs officials to let the work through by citing “traditional Indian erotic literature.” Just as the shipment was due to be checked again, the commission in charge gave up and simply sent the sculpture back to Germany.

    Express of India’s piece is a bit more clear.

    Roundup: Hassid Quits Natalie Portman, Christie’s Backs Husain

    March 18th, 2008 by Menachem Wecker

  • [JTA] A Hassidic actor was pressured by his community to quit a movie role as Jerusalem-born actress Natalie Portman’s husband.
  • [NDTV] Christie’s is sticking with its artist, M F Husain, accused of depicting Hindu deities in a ‘’derogatory and vulgar'’ way.
  • [Denver Post] Rembrandt takes over a Mormon church gym, and helps folks “know we truly love the savior, Jesus Christ,” says the church spokesman. Image below: DP.
  • [JTA] As attempts were made to boycott Israeli writers at the Paris Book Fair, a bomb scare hit.
  • Mormon Art Piece Appears in The Christian Index

    March 15th, 2008 by Menachem Wecker

    My article “Artists present an uncensored view of Mormon history” appears in this week’s issue of The Christian Index. See here for a long thread of comments.

    Wesley Acres Methodist’s Swastika-shaped Building

    March 15th, 2008 by Menachem Wecker

    AP has the story, about the retirement home’s unfortunately shaped building. The story is amusing, until one realizes the man complaining about it believes it’s part of a larger conspiracy to honor Nazis in architecture, and he’s been forcing folks to shell out a lot of cash to fix their accidentally-swastika-shaped buildings.

    Roundup: Ugly Jews, Attractive Sentimentality

    March 13th, 2008 by Menachem Wecker

  • (Image: Student German Vazquez, who’s inspired by Middle Eastern art and Buddhism. The Advocate)
  • [Wash. Post] A 1-woman show for Frida, Jewish-born father (?) turned atheist, “With Herself as Artist and Subject.”
  • [Forward] Vitebsk’s Jewish artists flourished thanks to Yuri Moiseevich Pen, “the Adam of his artsy race.”
  • [Haaretz] In Middle Ages Christian art, Jews are ugly, but somehow rabbis spun it so that “The source of the ugliness was their sexual purity,” while Christians’ beauty “derived from an impure source.”
  • [Patry Copyright Blog] William Patry, senior copyright counsel at Google, writes on copyrights and Anschluss, particularly how they interact with “Degenerate Art.”
  • [Aristasia] In defense of the “attractiveness” of “sentimental” Christian and Hindu art.
  • [Boston Globe] On the biblical source for Judaic needlework and The Pomegranate Guild.
  • [Abigail’s Alcove] A Catholic art critic skips the Greek revival and baroque sections (”Those are just myths”) and falls in love with Rubens “through the eyes of Faith.”
  • [16 and Q Blog] A recap of Ori Soltes’ lecture on “Jewish Abstract Expressionists After the Holocaust.”
  • “Hungry For Literature And For More Heaven”

    March 12th, 2008 by Menachem Wecker

    My review of Joanne Jacobson’s “Hunger Artist: A Suburban Childhood” is in this week’s Jewish Press. Full interview to follow…

    Banned in Lebanon

    March 11th, 2008 by Menachem Wecker

    You guessed it — ‘Persepolis‘ is out, because “Authorities likely want to avoid any potential fallout from offending pro-Iranian members of the Lebanese opposition, notably Hezbollah.”

    (Is it just me, or do the women in burkas look a lot like No face from Miyazaki’s Spirited Away?)

    Roundup: LDS Church Aplogizes for Religious Art Vandalism, an Anti-Koran Film

    March 11th, 2008 by Menachem Wecker

  • [Salt Lake Tribune] Their mistake was posting their pictures on Photobucket. Now, 2 years later, the LDS Church is apologizing for its missionaries, who showed “disrespect” by photographing themselves adding a Mormon taste to a church in Colorado. See image, where one man holds a copy of the Book of Mormon. See also this and this.
  • [SF Chronicle] 33 Islamic women artists are showing work in Kabul. One says, “I couldn’t paint during Taliban regime because I didn’t have enough material, and I wasn’t allowed to go out and buy paint.” Another adds, “I was young and couldn’t go to the art center to learn because as a girl, I wasn’t allowed to go to school.” An interesting article (though perhaps a bit one-sided), with a sad ending.
  • [CBC] After spending his time at a Zen Buddhist retreat and losing his savings, Leonard Cohen is back on tour for the first time in 15 years.
  • [Mixed Multitudes] On “The Holocaust in the Arts & Education.”
  • [PopMatters] On getting chummy with musicians. Is John Zorn right to try to silence journalists? (I covered Zorn a while ago here.)
  • [Religion News Blog 1, 2] To show an anti-Koran film, or not to show it? Network Solutions gives it the thumbs up; Dutch stations say no way.
  • LDS Church Releases Official Portrait of New First Presidency

    March 11th, 2008 by Menachem Wecker

    According to the Church:

    “The First Presidency was reorganized following the death of the Church’s 15th president, Gordon B. Hinckley, who passed away on 27 January.

    President Monson is the 16th worldwide leader of the Church. President Eyring, who serves as first counselor to President Monson, previously served as second counselor in the First Presidency. Second counselor, President Uchtdorf, was a member of the Quorum of the Twelve Apostles prior to his new assignment.

    The First Presidency is the most senior governing body in The Church of Jesus Christ of Latter-day Saints.”

    I think the painting photograph is mediocre at best. Anyone else want to weigh in on style?

    Christiane Amanpour on Iranian Art

    March 10th, 2008 by Menachem Wecker

    At Marvin Kalb’s interview tonight with Christiane Amanpour (God’s Warriors), I managed to get a question in touching on religion and art.

    In the program, Kalb asked Amanpour about a variety of things from the evolution of CNN’s newsroom to the struggles of being a foreign correspondent in a world where terrorists specifically target journalists to the ethical questions covering her native land, Iran, without bias. Amanpour said that American media is often “clichéd” in its coverage of Iran, but that her ability to speak Farci and to talk to “people on the ground” helped her transcend this.

    During the Q&A period, I asked Amanpour how reliable she thought the information was coming out the artistic community, particularly the new film Persepolis, and bestsellers Reading Lolita in Tehran and The Kite Runner (see my review in Arab American News). Was art about Iran (or Kabul in KR) providing a different form for the same biased content, I wondered, or was it the same sort of transcendence and truth on the ground that she sought in her journalism?

    Amanpour compared the pieces to Spiegelman’s MAUS, which she said she enjoyed, and said that she saw the works on Iran as reliable information. This is of course up for discussion, as I addressed in my interview with Fatemeh Keshavarz, chair of the department of Asian and Near Eastern languages and literatures at Washington University, in my piece “The new illiterate Orientalism” for Arab American News. But I did think it was interesting that Amanpour, who did not have good things to say about news in the blogosphere, saw potential for reliable information in religious art.

    Image: CNN.

    Prof. Finds Drum of the Covenant

    March 6th, 2008 by Menachem Wecker

    Brittani Hamm reports for RNS (via Beliefnet) about Indiana Jones-like professor Tudor Parfitt, who thinks the Ark of the Covenant is a drum, which he has found in a Zimbabwe warehouse.

    Parfitt hopes “the discovery will end some of the tension between Jews and Muslims,” but Hershel Shanks, editor of the Biblical Archaeological Review, cautions, “Many scholars regard his claims with a very jaundiced eye.”

    Roundup: Sacred Art in a Profane Place, Philly’s New Christian Gallery

    March 6th, 2008 by Menachem Wecker

  • [BBC] Two mummies, perhaps 200-years-old, have been discovered in a Brazilian monastery with their hands in an “Amen position.”
  • [Tucson Weekly] Daniel Martin Díaz’s sacred art is on exhibit in a profane place, where “the hunger for food, alcohol and sex is palpable.”
  • [The Hawk, SJU] Jesuit painter Dennis McNally says, “I am always doing religious art. Although sometimes the subject matter is landscape, or abstraction, or about war or the aftereffects of tragedy, it’s always about God and us.”
  • [WSJ] “In the contests of art, Christianity wins hands down, if only because Islam, like Judaism, prohibits depictions of the deity.”
  • [Christian NewsWire] White Stone Gallery, “the biblical fine art gallery,” is moving to Philly.
  • [Antiques and the Arts] Edward Hicks‘ “The Peaceable Kingdom,” a promised gift of Ralph Esmerian to the American Folk Art Museum, will no longer reside at the museum. Esmerian has sold the piece, which was collateral to Merrill Lynch and to Christie’s.
  • [NDTV] Indian artist Anjolie Ela Menon, who is “very influenced by early Christian art,” says, “I thought the colorization and iconic of Christian art was much more like what we have here.”
  • “Hip Hop’s Unlikely Portraitists”

    March 5th, 2008 by Menachem Wecker

    My review of Alex Melamid’s hip hop paintings on exhibit in Detroit and David Scheinbaum’s hip hop photographs on exhibit in DC is in the Forward. The piece touches on Jews and hip hop, and on two Jewish baby boomers who are using their art to capture hip hop upon the suggestions of their sons.

    Roundup: A “New Twist” on Holocaust Restitution

    March 4th, 2008 by Menachem Wecker

  • [Jesus in Love Blog] A depiction of Mohammad as a gay man is being censored amidst death threats to the artist.
  • [WSJ] Stealing vs. “forced sale”: a “new twist” on Holocaust restitution.
  • [Abbey of the Arts] A fantastic interview with Jan Richardson, who says, “I’ve come to think of my creative work as an ongoing process of lectio divina, a Greek term for sacred reading.”
  • [Sky Arts, via artsWOM] “An Introduction to Islamic Art” from curators of the Victoria & Albert Museum.
  • (Image: Emily Corbato’s “In The Beginning,” Fredya Miller’s “The Naked Tree,” and Marcia Annenberg’s “Elegy” from “In The Beginning” at the Women’s Museum of Dallas. See Tyler Paper.)
  • [Washington Post] Ben Summerford’s work can be tracked “back to 17th-century Holland (where Protestantism drove religious art from fashion, and still lifes of the tabletop appeared to fill the gap).”
  • Continue reading ‘Roundup: A “New Twist” on Holocaust Restitution’

    Roundup: A Controversial Exhibit in Vienna, A Museum Without Jews

    March 4th, 2008 by Menachem Wecker

  • Katayun Saklat has a dream: “It would be an art museum which would house pieces on the theme of seven major religions of the world, including Judaism, Zoroastrianism, Hinduism, Buddhism, Islam, Christianity and Sikhism, necessarily in that order,” reports the Telegraph, India. I wonder if she misplaced the “not of ‘not necessarily’” in the same place she forgot about Judaism and Jewish art.
  • ArtIslam, a London-based venue of abstract Islamic art, has won a Muslim News Award for Excellence. (Image from ArtIslam)
  • Founded by Prince Charles, the Prince’s School of Traditional Arts teaches traditional Islamic art, reports The Daily Star, Lebanon.
  • The Leopold Museum’s (Vienna) exhibit of Albin Egger-Lienz includes “over a dozen works of dubious origin,” according to some. The European Jewish Press reports (via AFP) one of the works was given to Hitler on his birthday in 1939. Other versions: CBC, China Post
  • One morning, Will Towns woke up with a revelation: “to create letters out of quarter-inch ceramic floor tiles and use them to spell out Bible verses on a plank of wood.” Since then, he’s created about 60 such pieces, reports the Chattanooga Times Free Press.
  • Writing on “Dumb Art Gallery Owners Make Dumb Decision to Close Dumb Exhibition” on Blogger News Network, Clarsonimus elaborates on a BBC story and wonders why Danish artists are again at the center of religious controversy.